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Polish Cultural Institutes
Ministry of Culture and National Heritage - Ministerstwo Kultury i Dziedzictwa Narodowego Ministry of Foreign Affairs - Ministerstwo Spraw Zagranicznych
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Adam Mickiewicz Institute ul. Mokotowska 25 00-560 Warsaw tel. (+48 22) 44 76 100 fax (+48 22) 44 76 152 www.iam.pl ![]() about us
redakcja@culture.pl
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JERZY GIEDROYC AND WRITING FOR 'KULTURA'
Krakow, 18 January - 20 February 2007
Visitors to this exhibition will come across a lesson about the literary achievements of perhaps the best-known Polish émigré institution: Jerzy Giedroyc's Literary Institute. Visitors to the National Library's exhibition rooms will come across a lesson about the literary achievements of perhaps the best-known Polish émigré institution. Jerzy Giedroyc wrote the following about "Kultura" as a "cubby hole" for writers: "When I decided to start publishing 'Kultura' after the war, Gombrowicz sprang to my mind and I contacted him... We began working together and this paid off with the wonderful 'Transatlantic' and then with his 'Diaries.' Collaborations of this kind were far from easy. In the initial period after he 'chose freedom,' Czeslaw Milosz questioned the entire idea of writing in Polish as an émigré, because he saw it as writing 'for the drawer' [putting manuscripts into a 'cubby hole']. 'Kultura,' however, proved not the worst of 'cubby holes,' because it was from there that Milosz himself, as well as Gombrowicz, Jerzy Stempowski, Andrzej Bobkowski, Herling-Grudzinski and so many others emerged into the world. I don't think anyone has any idea of how much effort that took, how much - I have no qualms in saying - devotion it required. As I see it, an editor's task does not lie solely in recognizing someone's talent, it primarily comes down to guardianship. This task was made more difficult by the fact that 'Kultura' was an émigré publication, a poor one, and one that simultaneously felt an obsessive imperative to safeguard its independence and thus avoid becoming reliant on any and all patrons."In the exhibition, Czeslaw Milosz is cast as the literary guide to the Institute's history. In his essay "The Start of a Legend," he wrote the following: "I would like what I am about to say about Jerzy Giedroyc to prove useful to the younger generations. For the young have great difficulty imagining the era in which he lived. Giedroyc lived a long life and he was a man of several eras."By the late 1950s, the offices of 'Kultura' were already drawing numerous visitors from Poland. They included Agnieszka Osiecka, Marek Hlasko, Jaroslaw Abramow-Newerly and other members of the STS theatre, Roman Polanski and Wacek Kisielewski. The display at the National Library includes a replica of a Parisian café, for Jerzy Giedroyc, Jozef Czapski, Konstanty Jelenski and Zygmunt Hertz met in cafes with many of the arrivals from "Nadwislnia" [Vistuland] - as Zygmunt Hertz referred to the visitors from Poland. The " 'Kultura' Library" published a total of five hundred thirty-three volumes, including Witold Gombrowicz's "DIARIES", Gustaw Herling-Grudzinski's "INNY SWIAT / ANOTHER WORLD", Czeslaw Milosz's "ZNIEWOLONY UMYSL / THE CAPTIVE MIND", Andrzej Bobkowski's "SZKICE PIORKIEM / DRAWING-PEN SKETCHES", Marek Hlasko's "CMENTARZE / CEMETERIES" and "PIEKNI DWUDZIESTOLETNI / BEAUTIFUL TWENTY-YEAR-OLDS", Boris Pasternak's "DOCTOR ZHIVAGO" and Alexander Solzhenitsyn's "THE GULAG ARCHIPELAGO" and "CANCER WARD". The displayed publications, all from the collection of the National Library, are interspersed with photographs from the archive of the Literary Institute in Paris, as well as images by Bohdan Paczowski, Ignacy Szczepanski and Piotr Wojcik (Agencja Gazeta). The exhibition was prepared by the Society for the Protection of the Archive of the Literary Institute in Paris [Towarzystwo Opieki nad Archiwum Instytutu Literackiego w Paryzu], the National Library in Warsaw and The Milosz Institute. The exhibition will be on view in several cities: Warsaw, Krakow, Wroclaw, Lublin, Szczecin, Poznan and Lodz. Special Collections Exhibit Room (Dobra Street No 56/66, room 316) opening of the exhibition as a part of the International Academic Conference "JERZY GIEDROYC: CULTURE - POLITICS - THE 20TH CENTURY" |
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![]() Museum of Modern Art in New York will host a screening of Bartek Konopka's Oscar nominated documentary "Rabbit à la Berlin" on February 28. On February 22, a play by Dorota Masłowska "Miedzy nami dobrze jest" will premiere at Teater Galeasen in Stockholm. The European Fairy Tale Centre in Pacanów (Świętokrzyskie region) will open on February 24, 2010. Art from the collection of Kraków's Czartoryski Museum will be on display in the Castle in Niepołomice, starting in spring 2010. This is due to renovation work in the Czartoryski Museum scheduled to end in 2012. Niepołomice Castle will host around 1700 works of art, including paintings by Paolo Veneziano, Pieter Brueghel the Younger and Lorenzo Lotto. On February 12, "The Ghost Writer", the newest film by Roman Polański, will officialy screen at the Berlinale Film Festival. A week later, on February 19, the film will premiere in theaters in Poland, Switzerland, and in the U.S. On February 10, 2010 in Rome's Accademia Nazionale di Santa Cecilia, Krystian Zimerman will give a Chopin piano recital marking the Chopin Year celebrations in Italy. The 46th Wrocław Jazz Festival "Jazz nad Odrą" will start on February 28. The festival will last until March 6, 2010. For more info see www.jnofestival.pl. The 7th edition of "Misteria Paschalia" in Kraków will take place on March 29 - April 5, 2010. In honor of the Chopin Anniversary Year, 1st Chopin International Piano Competition in Hartford, Connecticut, will be held from February 20-21, 2010. Tchaikovski Gala with Grzegorz Nowak as conductor - London, Cadogan Hall, February 18, 2010. Krystian Zimerman at Chopin Birthday Concert 1 - London, Royal Festival Hall - Southbank Centre, February 22, 2010. The 8th Kinoteka Polish Film Festiwal in London opens on March 4 and will last untill April 12, 2010.
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